Jazz Improv
Spring 2005
Ravi Coltrane
cd review by Joshua Musselwhite
Ravi Coltrane deserves a medal for even playing the
saxophone. I can’t imagine how much pressure there is
being the son of perhaps the most influential jazz artist ever:
the infamous, the immortal John Coltrane. Every jazz saxophonist
has studied Trane to a certain point, but how about Ravi? If
he does, no doubt he gets slammed by critics for sounding like
his Dad. If he doesn’t, he misses so much of the jazz
language. Most likely he has studied some Trane – I couldn’t
imagine he hasn’t – but more importantly than who
his father was is that Ravi Coltrane has found his own distinct
and individual voice on the saxophone. That voice shines on
one of his best albums to date, In Flux.
The album begins with a soft and melancholy composition of Ravi’s
called “The Message.” A short two minutes and four
seconds, the tune is a duet between pianist Luis Perdomo and
Ravi on tenor saxophone. At a slow trot, it is perhaps the most
lyrical and poignant he has written. At the end of the track
a voice can be heard counting off the next tune. In an up-paced
swing, “Coincide” features Ravi on soprano playing
a repetitive melodic figure focusing on the interval of a descending
fourth. It is one of six of Ravi’s originals that appear
on the album. Unlike his previous album Mad 6, this album focuses
on new music. As Ravi states, “We had many ideas and attempted
a lot of different music. The goal, of course, was to find things
that felt good and that could work together as a whole.”
Perhaps that “good feeling” can account for two
of the compositions, “Variation III” and “Variation
I,” being free based. The level of communication and connection
between the band members shown here is amazing. At times, I
wonder if some of it wasn’t written prior to recording
it. The rest of the tunes, besides “United” by Wayne
Shorter, come from members of the band each contributing one.
As Ravi’s fourth album as a leader, In Flux is a beautiful
and fascinating album. With sweet ballads to the avant-garde,
In Flux can offer something to each jazz fan, emotionally and
intellectually. After all, isn’t that what all albums
strive for?